From virtual theatre to AI art: DMU researchers showcase the future of creative technology
Twelve doctoral research projects were brought together for Where Code Becomes Culture: CreaTech Showcase 2026, a public exhibition.
Read the original →Every story in this issue with a short summary, so you can decide what to read before leaving the site. Summaries are written by AI (Claude) only from each publisher's own description and checked by Jev for anything not in that description. They are not full translations. Follow "Read the original" for the full story.
Twelve doctoral research projects were brought together for Where Code Becomes Culture: CreaTech Showcase 2026, a public exhibition.
Read the original →The article says mourning has never been neat or simple, and that this was the case before artificial intelligence got involved.
Read the original →The music industry is entering an era in which creating a complete song can take minutes rather than days. Generative AI tools are becoming more accessible.
Read the original →Co-director Matthew Walker of 'Shaun the Sheep: The Beast of Mossy Bottom' discusses why AI is not a threat to animation. He says there is a desire to see the craft.
Read the original →Mayur More and Ashlesha Thakur will star in the first AI-driven feature from Abundantia Entertainment and video tech firm InVideo.
Read the original →A triennale across seven cities expands on Pope Leo XIV's message that artificial intelligence models "lack the affective, relational and spiritual perspective" necessary to create art.
Read the original →The description says Fukuzawa Yukichi and early Keio students introduced speeches and debate to Japan as a way to convey one's views to many people. It notes that the Mita Speech Meeting was organized in the 7th year of Meiji.
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