Bowling Alley, Tennis Court, Car Gallery: AI Imagines A $55 Million Home In The DC Area
The DC area's priciest yet-to-be-built home is back on the market. This time artificial intelligence is doing the selling.
Read the original →Every story in this issue with a short summary, so you can decide what to read before leaving the site. Summaries are written by AI (Claude) only from each publisher's own description and checked by Jev for anything not in that description. They are not full translations. Follow "Read the original" for the full story.
The DC area's priciest yet-to-be-built home is back on the market. This time artificial intelligence is doing the selling.
Read the original →SoundCloud's new partnership with ElevenLabs makes it easier for creators to publish music generated using ElevenMusic. Publishing an AI-created song to SoundCloud is not the same as distributing it to every major streaming service. Creators who want a track on Spotify, Apple Music or YouTube Music need to make several checks first.
Read the original →As Hollywood begins to adopt the technology, the professionals in most direct jeopardy are the illustrators who map out directors' first visions. The piece looks at what could be lost.
Read the original →Animaj, the company behind 'Pocoyo' and 'Maya the Bee', has introduced an artist-led system called FlipMove. It carries scenes from approved animatic to finished animation and is already in production on 'Ozzy Fox.'
Read the original →The Skydance CEO says, "AI really has the potential to be the biggest creative unlock in modern history."
Read the original →Adobe's AI platform is now handling a wider range of tasks, not just beginners' basics.
Read the original →Masahiro Sakurai says he does not use generative AI for games. He also warns that rejecting it entirely could leave developers further behind.
Read the original →The AI-made short film ROAR, by ROIworks, received an Honorable Mention at the Higgsfield Global Film Festival 2026 and 10,000 dollars. Its team joins Higgsfield Talent with 40,000 dollars in support. Directed by Donát Sisák, the film tells the story of a father and his daughter in a dinosaur park.
Read the original →The festival's second year drew 487 submissions, up 31% from the 371 films entered in its inaugural 2025 edition. The full 2026 jury and programme have been announced, with gala screenings in Melbourne on 18 November and Sydney on 24 November.
Read the original →Adobe unveiled an AI overhaul at MAX 2026 that brings AI agents to Photoshop, Premiere Pro, Illustrator and other Creative Cloud apps. The new tools can execute complex creative tasks, automate repetitive workflows and work with third-party AI assistants. Adobe is also expanding Firefly and GenStudio with new capabilities for creators and businesses.
Read the original →Shuhei Yoshida recalled that at this year's Busan Indie Connect Festival (BIC), he found a Korean action game he liked but could not fully enjoy due to the language barrier.
Read the original →Adobe announced a new production environment using AI agents on 10 November 2026 (US time) at its annual creativity conference, Adobe MAX 2026.
Read the original →Adobe and The Walt Disney Company announced on November 9 (US time) that they will extend their collaboration using generative AI and other technologies to film and sports. The partnership, previously focused on theme park development, will support Disney's production work through jointly developed dedicated generative AI models and new technologies.
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